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8 January 1836 – 25 June 1912. Most renowned painters.

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TISCHBEIN, Johann Heinrich Wilhelm
Portrait of William VIII

ID: 84181

TISCHBEIN, Johann Heinrich Wilhelm Portrait of William VIII
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TISCHBEIN, Johann Heinrich Wilhelm Portrait of William VIII


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TISCHBEIN, Johann Heinrich Wilhelm

German Painter, 1751-1829  Related Paintings of TISCHBEIN, Johann Heinrich Wilhelm :. | Goethe in the Roman Campagna (mk08) | Portrat einer Frau, Oval | Portrait of Christian Gottlob Heyne | Portrat der Familie Saltykowa | Portrat des Herrn Chatelain |
Related Artists:
CAPORALI, Bartolomeo
Italian painter, Umbrian school (b. ca. 1420, Perugia, d. 1505, Perugia)
Sir John Everett Millais
English Pre-Raphaelite Painter, 1829-1896 Millais showed a prodigious natural facility for drawing, and his parents groomed him from an early age to become an artist. His father was a man of independent means from an old Jersey family. He spent his childhood in Southampton (where his mother's family were prosperous saddlers), Jersey and Dinan in Brittany, before going to London in 1838. After a brief period at Henry Sass's private art school, he was accepted into the Royal Academy Schools in 1840, its youngest-ever student. He won a silver medal there in 1843 for his drawing from the Antique, made his d?but at the Royal Academy exhibition in 1846 with the accomplished though conventional history painting Pizarro Seizing the Inca of Peru (London, V&A) and won a gold medal in 1847 for the Tribe of Benjamin Seizing the Daughters of Shiloh (priv. col., sale cat., London, Sotheby's, 21 Nov 1973, lot 44),
DOSSI, Dosso
Italian High Renaissance Painter, ca.1490-1542 Although responsive to a wide range of outside influences, the most important of which were probably those of Giorgione in Venice and Raphael in Rome, he was an artist of great originality with a strong feeling for effects of light and colour. Landscape plays a prominent and highly expressive role in his work. He was employed, as were also the poets Matteomaria Boiardo (?1441-94) and Ludovico Ariosto, at the court of Ferrara, which was internationally renowned for its culture, especially its musical life and collections of art: one of his best-known works is an illustration of a magical scene from Ariosto's poetry,






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